A long time ago in a genre far, far away, I did an all-day
intensive story critique/workshop/gauntlet thingy that pruned my confidence to
a nub and crammed my aspiring-writer noggin with way more information than I could
process at the time. I do not recommend such thingies.
—jackwipe’s
eyes didn’t drop to the heroine’s
boobage, his gaze did, right? They
taught me about the inadvisability of adverbs, the judicial use of similes, the
need for a consistent point of view, and a gajillion other low-level craft bits
that aren’t necessarily grammatical errors but, when handled badly, can certainly
can make it hard for a reader to invest in a world or story.
One of those things was impossible simultaneity.
Now, I don’t meant to spin up a physics topic here or
discuss relativity of simultaneity, so if that’s what you’re noodling with in a
sci-fi sort of way, please go on about your business (and link me to your story
down in the comments, please, because it’s totally up my reader-alley). Rather, what I
mean to point out is when sentence structure implies two things are
happening at the same time when physically they cannot (or attempting to do so would create a weird visual). For instance:
Shrugging off her coat, she tossed her purse on the table and flicked on the lights.
If nothing about that sentence seems odd, chances are
you are in fact writing/reading science fiction and the character most
prominently lodged in your brain is a multi-armed alien. I’m cool with that.
What I’m not cool with is a regular two-armed human earthling tugging coat
sleeves off her arms whilst one arm is also purse flinging and the other is light
switch flipping. No one is that coordinated and how many arms does this person have? Similarly, I can’t figure how these would work:
...he said, taking a sip of his whiskey.
Sliding off her motorcycle, she tugged her skirt down.
Rubbing the weariness from his eyes, he saw...
The worst part is that I see
these kinds of things all the time in books. Maybe they don't get tidied up because they aren’t dangling
modifiers, per se. They’re just dangling logic.
Now, I’m not claiming I’ve never committed every vile sin of
writing. I have and continue to do so. So, no judgment! However, if you’re
writing and want to avoid impossible simultaneity, a quick trick is to search
the doc for “ing ” (the extra space after the g trims the search results at little) and click through. An
ing-pass on your manuscript may also reveal dangling participles and other
potential embarrassments.
If you’re not a writer but read lots and never noticed impossible
simultaneity before, I have bad news. You’re probably going to notice it fairly often
now.
Sorry.
Sort of. (Except, not really. Misery loves company.)
p.s. – Check out the Turkey City Lexicon for lots and lots of things you never knew writers were doing wrong. (Scroll down to find "Not Simultaneous.") I found the document simultaneously enlightening and horrifying and humiliating and helpful.
Vivien Jackson writes stories with robots, pixies, and down-home salacious kissery. Wanted and Wired, first in her Tether cyberpunk romance series, is available now. Get news and sneak peeks on the web at VivienJackson.com or sign up for her newsletter to have tidbits delivered right to your email.
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